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1 New World Symphony
Музыка: симфония Из нового света -
2 New World Symphony
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3 new
new [nju:]∎ a new tablecloth (brand new) une nouvelle nappe, une nappe neuve; (fresh) une nouvelle nappe, une nappe propre;∎ new evidence de nouvelles preuves;∎ he's wearing his new suit for the first time il porte son nouveau costume ou son costume neuf pour la première fois;∎ I don't want to get my new gloves dirty je ne veux pas salir mes nouveaux gants ou gants neufs;∎ this dress isn't new ce n'est pas une robe neuve ou une nouvelle robe, cette robe n'est pas neuve;∎ have you seen their new house yet? est-ce que tu as vu leur nouvelle maison?;∎ she needs a new sheet of paper il lui faut une autre feuille de papier;∎ we need some new ideas il nous faut de nouvelles idées ou des idées neuves;∎ a new application of an old theory une nouvelle application d'une vieille théorie;∎ there are new people in the flat next door il y a de nouveaux occupants dans l'appartement d'à côté;∎ she likes her new boss elle aime bien son nouveau patron;∎ new members are always welcome nous sommes toujours ravis d'accueillir de nouveaux adhérents;∎ to look for new business faire de la prospection;∎ America was a new country (just developing) l'Amérique était un pays neuf;∎ under new management (sign) changement de propriétaire;∎ as or like new comme neuf; (in advertisement) état neuf;∎ as good as new (again) (clothing, carpet) (à nouveau) comme neuf; (watch, electrical appliance) (à nouveau) en parfait état de marche;∎ to feel like a new woman/man se sentir revivre;∎ to make a new woman/man of sb transformer qn complètement;∎ proverb there's nothing new under the sun il n'y a rien de nouveau sous le soleil(b) (latest, recent → issue, recording, baby) nouveau(elle);∎ the newest fashions la dernière mode;∎ is there anything new on the catastrophe? est-ce qu'il y a du nouveau sur la catastrophe?;∎ familiar what's new? quoi de neuf?;∎ familiar (so) what's new!, what else is new! (dismissive) quelle surprise!;∎ that's nothing new! rien de nouveau à cela!(c) (unfamiliar → experience, environment) nouveau(elle);∎ everything's still very new to me here tout est encore tout nouveau pour moi ici;∎ familiar that's a new one on me! (joke) celle-là, on ne me l'avait jamais faite!; (news) première nouvelle!; (experience) on en apprend tous les jours!∎ you're new here, aren't you? vous êtes nouveau ici, n'est-ce pas?;∎ those curtains are new in this room ces rideaux n'étaient pas dans cette pièce;∎ she's new to the job elle débute dans le métier;∎ we're new to this area nous venons d'arriver dans la région2 nounnouveau m;∎ the cult of the new le culte du nouveau►► familiar new blood sang m neuf;Finance new borrowings nouveaux emprunts mpl;new boy School nouveau m, nouvel élève m; (in office, team etc) nouveau m;New Britain Nouvelle-Bretagne f;New Brunswick le Nouveau-Brunswick;∎ in New Brunswick dans le Nouveau-Brunswick;Architecture new brutalism brutalisme m;Marketing new buy situation situation f de nouvel achat;New Caledonia Nouvelle-Calédonie f;∎ in New Caledonia en Nouvelle-Calédonie;1 nounNéo-Calédonien(enne) m,fnéo-calédonien;Finance new capital capitaux mpl frais;(a) History le New Deal (programme de réformes sociales mises en place aux États-Unis par le président Roosevelt au lendemain de la grande dépression des années 30)(b) British Politics = programme du gouvernement Blair destiné à aider les jeunes à trouver un emploi;New Delhi New Delhi;French Canadian New Democratic Party Nouveau Parti m démocratique;new economy nouvelle économie f;New England Nouvelle-Angleterre f;∎ in New England en Nouvelle-Angleterre;New Englander habitant(e) m,f de la Nouvelle-Angleterre;the New English Bible = texte de la Bible révisé dans les années 60;New Forest = région forestière dans le sud de l'Angleterre;New Forest pony New Forest m (cheval);new girl School nouvelle (élève) f; (in office, team) nouvelle f;new grammar la nouvelle grammaire;New Guinea Nouvelle-Guinée f;∎ in New Guinea en Nouvelle-Guinée;New Hampshire le New Hampshire;∎ in New Hampshire dans le New Hampshire;1 nounNéo-Hébridais(e) m,fnéo-hébridais;New Hebrides Nouvelles-Hébrides fpl;∎ in the New Hebrides aux Nouvelles-Hébrides;New Ireland Nouvelle-Irlande f;∎ in New Ireland en Nouvelle-Irlande;Stock Exchange new issue nouvelle émission f;Stock Exchange new issue market marché m des nouvelles émissions, marché m primaire;New Jersey le New Jersey;∎ in New Jersey dans le New Jersey;New Labour = nouveau nom donné au parti travailliste britannique vers le milieu des années quatre-vingt-dix dans le souci d'en moderniser l'image;New Latin latin m scientifique;new look nouvelle image f;the New Look (in post-war fashion) le new-look;New Man homme m moderne (qui participe équitablement à l'éducation des enfants et aux tâches ménagères);the new media les nouveaux médias mpl;New Mexico le Nouveau-Mexique;∎ in New Mexico au Nouveau-Mexique;British History the New Model Army = nom donné à l'armée anglaise après la révolte du Parlement en 1645;∎ what's ten shillings in new money? ten shillings, ça fait combien en système décimal?;∎ she married into new money (wealth) elle s'est mariée avec un homme issue d'une famille enrichie de fraîche date; pejorative elle s'est mariée avec un nouveau riche;new moon nouvelle lune f;Press New Musical Express = hebdomadaire anglais de musique rock;New Orleans La Nouvelle-Orléans;new potato pomme f de terre nouvelle;New Providence île f de la Nouvelle-Providence;New Quebec Nouveau-Québec m;∎ in New Quebec au Nouveau-Québec;the new rich les nouveaux riches mpl;New Right nouvelle droite f;Press the New Scientist = hebdomadaire scientifique britannique;New Scotland Yard = siège de la police à Londres;New South Wales la Nouvelle-Galles du Sud;∎ in New South Wales en Nouvelle-Galles du Sud;Finance new shares actions fpl nouvelles;Press the New Statesman = hebdomadaire britannique de gauche;new technology nouvelle technologie f, technologie f de pointe;the New Territories les Nouveaux Territoires mpl (de Hong Kong);Bible New Testament Nouveau Testament m;British new town ville f nouvelle;the New World le Nouveau Monde;New Year Nouvel An m;∎ happy New Year! bonne année!;∎ to see in the New Year réveillonner (le 31 décembre);New Year's resolutions résolutions fpl pour la nouvelle année;∎ have you made any New Year's resolutions? tu as des résolutions pour la nouvelle année?;New Year's Day jour m de l'an;New Year's Eve Saint-Sylvestre f;the New Year's Honours List = titres et distinctions honorifiques décernés par la Reine à l'occasion de la nouvelle année et dont la liste est établie officieusement par le Premier ministre;New York (City) New York;New Yorker New-Yorkais(e) m,f;Press the New Yorker = hebdomadaire culturel et littéraire new-yorkais;Stock Exchange New York Mercantile Exchange = marché à terme des produits pétroliers de New York;New York (State) l'État m de New York;∎ in (the State of) New York, in New York (State) dans l'État de New York;the New York subway le métro new-yorkais;Press the New York Times = quotidien américain de qualité;New Zealand Nouvelle-Zélande f;∎ in New Zealand en Nouvelle-Zélande;New Zealand butter beurre m néo-zélandais;New Zealander Néo-Zélandais(e) m,fⓘ NEW LABOUR Après dix-huit ans de gouvernement conservateur, les élections de mai 1997 propulsèrent les travaillistes au pouvoir avec une écrasante majorité. Convaincus par plusieurs défaites électorales de l'inéligibilité du parti travailliste traditionnel dans une Grande-Bretagne bouleversée par le thatchérisme, les nouveaux dirigeants décidèrent de réorganiser et de renommer le parti afin d'élargir leur électorat aux classes moyennes. Les "nouveaux travaillistes" établirent des liens étroits avec le patronat et promurent une "troisième voie" comme alternative à la traditionnelle idéologie de gauche du parti. Cependant, les fidèles du parti commencèrent très vite à souhaiter un retour aux valeurs traditionnelles de la gauche. -
4 symphony
1. n муз. симфония2. n гармония; гармоничное сочетаниеСинонимический ряд:1. musical composition (noun) classical music; concert music; concerto; major work; musical composition; opus; piece; ritornelle; sonata2. orchestra (noun) band; full orchestra; orchestra; philharmonic; symphony orchestra -
5 new
1. n новое2. a новый; ранее не существовавшийnew members of the UN — новые члены ООН, государства, только что принятые в ООН
new arrival — только что прибывший ; новый приезжий
new growth — новообразование, опухоль
3. a новый, только что обнаруженный или открытый4. a новый, не бывший в употребленииnew development — новшество; новая разработка
5. a современный, новейшийNew Greek — новогреческий язык; современный греческий язык
6. a пренебр. часто новоявленный, недавнийI can clock up 100 miles an hour in my new car — на моей новой машине я могу показать скорость 100 миль в час
7. a незнакомыйI am new to Moscow — я недавно в Москве, я ещё плохо знаю Москву
he was new about the house — он ещё не привык к дому, он ещё не освоился с квартирой
8. a неопытный, новыйnew chum — новый сотрудник ; новенький, новичок
9. a иной, другой; обновлённыйto lead a new life — изменить образ жизни, начать иную жизнь
10. a ещё один, ещё несколько; дополнительный, новыйnew trial — новое рассмотрение дела, пересмотр дела
11. a свежийspickandspan new — совершенно новый, абсолютно свежий
12. a молодой13. a как компонент сложных слов ново-, свеже-, только чтоnew-caged beast — зверь, только что посаженный в клетку
new departure — новая линия ; новая инициатива, почин, новшество
new lease on life — возрождение надежд, возвращение жизненных сил
Mary has taken a new lease of life since she became interested in gardening — заинтересовавшись садоводством, Мери воспрянула духом
14. adv недавно, только чтоnew Australian — иммигрант, недавно поселившийся в Австралии
15. adv заново, вновьСинонимический ряд:1. additional (adj.) added; additional; another; else; extra; farther; further; increased; more; other; supplementary2. current (adj.) current; faddish; fashionable; latest; modern; modish; popular3. different (adj.) brand-new; different; dissimilar; distinct; unlike4. fresh (adj.) bizarre; fresh; innovative; inventive; just out; late; modernistic; neoteric; newfangled; new-fashioned; new-sprung; novel; original; recent; uncontaminated; unique; unprecedented; unspoiled; unused; unusual5. present (adj.) contemporary; existent; existing; present; present-day6. pristine (adj.) pristine; untouched; virgin7. refreshed (adj.) refreshed; regenerated; reinvigorated; renewed; revived8. unfamiliar (adj.) strange; unaccustomed; unfamiliar9. untrained (adj.) incompetent; inexperienced; unseasoned; unskilled; untrained10. recently (other) afresh; anew; freshly; lately; newly; of late; recentlyАнтонимический ряд:antique; archaic; deteriorated; obsolete; old; old-fashioned; outmoded; prehistoric; primeval; primordial; stale; used; worn -
6 New York City
[ˏnju:ˊjɔ:rksɪtɪ] г. Нью-Йорк, крупнейший город США — 7,3 млн. жителей ( без пригородов). Прозвища: «большое яблоко» [*Big Apple], «имперский город» [*Empire City], «город развлечений» [*Fun City]. Житель: ньюйоркец [New Yorker]. Ассоциации: Манхаттан, Бродвей, Статуя Свободы, Уолл-стрит, штаб-квартира ООН, Бруклин, Брайтон-Бич и др. Хотя формально Нью-Йорк состоит из пяти районов: Манхаттан [*Manhattan], Куинс [*Queens], Бруклин [*Brooklyn], Бронкс [*Bronx] и Ричмонд/Статен-Айленд [Richmond II/*Staten Island], каждый житель Нью-Йорка считает, что центром города, его «сити», является Манхаттан. Напр., жители Флашинга [Flushing] в Куинсе говорят о поездке «в город» [to the city], имея в виду Манхаттан. Некоторые жители Бруклина годами не пересекают Ист-Ривер [*East River] и считают, что они живут в относительно тихом городке вдали от сутолоки «большого города» [Big Town]. А на Статен-Айленде есть фермеры, которые ни разу в жизни не отваживались на путешествие в Манхаттан. Тем не менее, все они считают себя ньюйоркцами и очень гордятся тем районом, в котором живут. Для туристов Нью-Йорк — это Манхаттан, преимущественно центральная его часть, между 34- й и 96-й улицами. В этом относительно небольшом районе сосредоточены самые фешенебельные отели, роскошные рестораны, самые знаменитые театры, кино, музеи, лучшие магазины. Нью-Йорк — это центр большого бизнеса, крупнейший финансовый центр мирового масштаба. Наличие в нём штаб-квартиры ООН делает его и политической столицей мира. Этническая пестрота его населения общеизвестна: есть такие уголки в городе, где не услышишь английского. Нью-Йорк — центр всех средств массовой информации. Из издаваемых ныне трёх ежедневных газет по крайней мере две — «Нью-Йорк таймс» [*‘New York Times’] и «Нью-Йорк дейли ньюс» [‘New York Daily News’] имеют общенациональное распространение. Нью-Йорк — центр культурной жизни США. В творческой жизни невозможно сделать карьеру, не получив признания в Нью-Йорке. В мире театра каждый актёр, драматург, режиссёр, художник, певец, танцор, музыкант и композитор испытывают на себе притягательную силу Бродвея. Живописцы, скульпторы, писатели всех жанров, карикатуристы, куплетисты, мастера и шарлатаны, все устремляют свой взор на Нью-Йорк. Нью-Йорк — центр туризма, американцы считают своим долгом побывать в этом современном Вавилоне, поглазеть на небоскрёбы, походить по фешенебельным и не столь уж фешенебельным магазинам, попробовать экзотические блюда в многочисленных ресторанах и кафе этнических районов — этих островков разных культур [culture islands], и затем, вернувшись домой, ещё раз повторить: «Нью-Йорк интересно посмотреть, но жить там не хочется» [‘New York is a great place to visit but you wouldn’t want to live there’]. Река: Гудзон [*Hudson River]. Районы и кварталы: Манхаттан [*Manhattan], Бруклин [*Brooklyn], Куинс [*Queens], Бронкс [*Bronx], Статен-Айленд [*Staten Island] ( муниципальные районы); Нижний Манхаттан [*Downtown/Lower Manhattan], Средний Манхаттан [*Midtown Manhattan], Верхний Манхаттан [*Uptown II/Upper Manhattan], жилой район Баттери-Парк-Сити [*Battery Park City], Китайский квартал [*Chinatown], Нижний Ист-Сайд [*Lower East Side], район Сохо [*SoHo], Ист-Виллидж [*East Village], Гринвич-Виллидж [*Greenwich Village], «Маленькая Италия» [*Little Italy], район швейной промышленности [*Garment Center], район ювелиров [*Diamond Center], район студий грамзаписи [*Tin Pan Alley], Верхний Ист-Сайд [*Upper East Side], Верхний Вест-Сайд [*Upper West Side], Гарлем [*Harlem], Йорквилл [*Yorkville], Пятая авеню [*Fifth Avenue], Парк-авеню [*Park Avenue], Медисон-авеню [*Madison Avenue], Первая авеню [*First Avenue], Шестая авеню [*Sixth Avenue], Авеню Америк [*Avenue of the Americas], Седьмая авеню [*Seventh Avenue], Лексингтон-авеню [*Lexington Avenue], Коламбус-авеню [*Columbus Avenue], Амстердам-авеню [*Amsterdam Avenue], Вест-Энд-авеню [*West End Avenue], Сентрал-Парк-Вест [*Central Park West], Бродвей [*Broadway]. Улицы: Бауэри [*Bowery], Мотт-стрит [*Mott Street], Малбери-стрит [*Mulberry Street], Четырнадцатая улица [*Fourteenth Street], Бруклинский променад [*Brooklyn Promenade]. Площади: Таймс-Сквер [*Times Square], Вашингтон-Сквер [*Washington Square], Юнион-Сквер [*Union Square], Гранд-Арми-Плаза [*Grand Army Plaza], Коламбус-Сёркл [*Columbus Circle]. Памятники: Статуя Свободы [Statue of Liberty], статуя Хейла [*Nathan Hale’s statue], мавзолей Гранта [*Grant’s Tomb]. Музеи, памятные места: Музей города Нью-Йорка [*Museum of the City of New York], Федеральный зал [*Federal Hall], таверна Фраунсиса [*Fraunces Tavern], Библиотека и музей Нью-Йоркского исторического общества [*New York Historical Society], Американский музей естественной истории [*American Museum of Natural History], Музей американских индейцев [*Museum of the American Indian], Музей Ван-Кортланда [*Van Cortland Museum], коттедж Эдгара По [*Edgar Allan Poe Cottage], Зал славы [*Hall of Fame], планетарий Хайдена [*Hyden Planetarium]. Соборы, церкви: церковь Св. Троицы [Trinity Church], часовня Св. Павла [St. Paul’s Chapel], собор Св. Патрика [*St. Patrick’s Cathedral], собор Св. Иоанна [Cathedral of St. John the Divine], церковь Преображения [Church of the Transfiguration], «Маленькая церковь за углом» [*‘Little church around the corner’]. Здания, небоскрёбы: Центр международной торговли [*World Trade Center], Эмпайр-Стейт-билдинг [*Empire State Building], штаб-квартира ООН [*United Nations Headquarters], Рокфеллеровский центр [*Rockefeller Center], здание «Пан-Американ» [*Pan-American Building], здание компании «Крайслер» [*Chrysler Building], здание компании «Сиграм» [*Seagram Building], здание Фонда Форда [Ford Foundation Building], здание «Си-би-эс» [CBS Building], здание банка «Чейз-Манхаттан» [*Chase Manhattan Building], «Левер-Хаус» [Lever House], «Вулворт» [Woolworth Building], Нью-Йоркская фондовая биржа [*New York Stock Exchange], здание муниципалитета [City Hall II], зал «Медисон-Сквер-Гардн» [*Madison Square Garden], Главный почтамт [General Post Office], выставочный зал «Колизей» [Coliseum]. Худ. музеи, выставки: Музей Метрополитен [*Metropolitan Museum of Art], Музей современного искусства [*Museum of Modern Art], Музей Соломона Р. Гуггенхейма [*Solomon R. Guggenheim Museum], Музей американского искусства Уитни [*Whitney Museum of American Art], Коллекция Фрика [*Frick Collection], Клойстерс [*Cloisters], Бронксский художественный музей [Bronx Museum of Art], Бруклинский музей [Brooklyn Museum], Центр тибетского искусства Жака Марше [Jacques Marchais Center for Tibetian Art]. Культурные центры, театры: Линкольновский центр исполнительских искусств [*Lincoln Center for the Performing Arts], Карнеги-Холл [*Carnegie Hall], концертный зал «Симфони-Спейс» [Symphony Space], «Кауфман-Одиториум» [Kaufman Auditorium], «Радио-Сити мюзик-холл» [*Radio City Music Hall], Бруклинская академия музыки [*Brooklyn Academy of Music], Нью-Йоркская публичная библиотека [*New York Public Library], Театр «Сёркл-Реп» [Circle Rep], Театр «Манхаттанский театральный клуб» [Manhattan Theatre Club], Нью-Йоркский шекспировский фестиваль [NY Shakespeare Festival], Театр «Ла Мама И-Ти-Си» («Театральный экспериментальный клуб») [La Mama ETC], Театр Жана Кокто [Jean Cocteau Repertory], Театр «Смешной» [Ridiculous Theatrical Company], Театр «Карусель» [Roundabout], Зал Грейс Роджерс [Grace Rainey Rogers Auditorium] и др. Учебные заведения, научные центры: Колумбийский университет [*Columbia University], Нью-Йоркский университет [*New York University], колледж Барнарда [Barnard College], Городской колледж Городского университета [City College of City University], колледж Купер-Юнион [Cooper Union], Фордхамский университет [Fordham University], колледж Хантера [Hunter College], Еврейская теологическая семинария Америки [Jewish Theological Seminary of America], Джульярдская школа музыки ( консерватория) [*Juilliard School of Music], Музыкальный колледж Мэнса [Mannes College of Music], Новая школа социальных исследований [New School for Social Research], колледж Куинса [Queens College], Объединённая теологическая семинария [Union Theological Seminary], Университет Иешива [Yeshiva University], Школа дизайна Парсонса [Parsons School of Design], Институт Пратта [Pratt Institut]. Периодические издания: «Нью-Йорк таймс» [*‘New York Times'], «Дейли ньюс» [*‘Daily News']. Парки, зоопарки: Баттери-Парк [*Battery Park], Боулинг-Грин [*Bowling Green], Грамерси-Парк [*Gramercy Park], Центральный парк [*Central Park], парк Риверсайд [*Riverside Park], Бронксский зоопарк [*Bronx Zoo], Нью-Йоркский ботанический сад [*New York Botanical Gardens], зоопарк Статен-Айленда [Staten Island Zoo]. Спорт: ежегодный Нью-Йоркский марафон [Annual New York City Marathon]; стадионы: «Янки» [*Yankee Stadium], «Шей» [*Shea Stadium]; команды: бейсбольные «Метс» [‘Mets'] и «Янки» [*‘Yankees'], баскетбольные «Никс» [‘Knicks'] и «Нетс»/«Сети» [*‘Nets'], футбольные «Джетс»/«Реактивные» [‘Jets'] и «Гиганты» [‘Giants'], по европейскому футболу «Нью-Йорк космос» [‘New York Cosmos'], хоккейные «Айлендерс»/«Островитяне» [‘Islanders'] и «Рейнджерс» [‘Rangers']. Магазины, рынки: универмаги «Мэйси» [*Macy's], «Лорд-энд-Тэйлор» [*Lord and Taylor], «Стернс» [*Stern's], «Альтман» [*Altman, B.], «Блумингдейл» [Bloomingdale's], «Александерс» [*Alexander's], «Абрахам-энд-Страус» [*Abraham and Strauss], ювелирный магазин «Тиффани» [*Tiffany and Company]; магазины грамзаписей «Сэм Гуди» [*Sam Goody's], «Кинг Карол» [King Karol], «Диско-Мэт» [*Disco-Mat], «Тауэр рекордз» [Tower Records]; дорогие магазины одежды «Сакс — Пятая авеню» [*Sack's Fifth Ave], «Бергдорф Гудман» [Bergdorf Goodman]; дешёвый магазин «Стайвесант-Сквер» [Stuyvesant Square Thrift Shop]; обувной магазин «Кенни» [Kenny Shoes]; книжные магазины: «Брентано» [*Brentano's], «Далтон» [Dalton], «Даблдэй» [Doubleday], «Стренд» [Strand], «Риззоли» [Rizzoli], «Скрибнерс» [Scribner's], «Барнс-энд-Ноубл» [Barnes and Noble], «Книжный рынок Готам» [Gotham Book Mart]; магазин фотоаппаратуры «Корвет» [Korvette's]; магазин игрушек «Сворс» [Schwarz]. Отели: «Пьер» [*‘Pierre'], «Ридженси» [*‘Regency'], «Риц-Карлтон» [*‘Ritz-Carlton'], «Плаза» [*‘Plaza'], «Гранд-Хайат» [*‘Grand Hyatt'], «Уолдорф-Астория» [*‘Waldorf-Astoria'], «Нью-Йорк Хилтон» [*‘New York Hilton'], «Шератон-Центр» [*‘Sheraton Centre'], «Холларан-Хаус» [‘Hollaran House'], «Хелмсли-Палас» [*‘Helmsley Palace Hotel'], «Карлайл» [*‘Carlyle'], «Савой-Хилтон» [*‘Savoy-Hilton'], «Парк-Шератон» [*‘Park Sheraton], «Шератон-Рассел» [*‘Sheraton-Russel'], «Шератон-Мотор-Инн» [*‘Sheraton Motor Inn'], «Шератон-Атлантик» [*‘Sheraton Atlantic Hotel'], «Шератон-Терри-Инн» [*‘Sheraton Terry Inn']. Рестораны: «Четыре времени года» [*‘Four Seasons'], «Лютеция» [*‘Lutece'], «Пальма» [*‘Palm'], «Кучерской» [*‘Coach House'], «Русская чайная» [*‘Russian Tea Room'], «Фрэнки и Джонни» [*‘Frankie and Johnny’ II], «У Линди» [*Lindy's], «Павильон» [*‘Le Pavilion'], «Мама Леоне» [*‘Mamma Leone's]. Транспорт: Ж.-д. вокзалы: «Пенсильвания-стейшн» [*Pennsylvania Station (Pensy)], «Гранд-Сентрал» [*Grand Central]; аэропорты: им. Кеннеди [*Kennedy International Airport (J.F.K.)], Ла Гуардия [*La Guardia Airport], Ньюаркский [*Newark Airport]; городские авиавокзалы: Ист-Сайд [*East Side Airlines Terminal] и Вест-Сайд [*West Side Airlines Terminal]; городской вертолётный аэропорт [*Downtown Heliport]; линии метро «Ай-ар-ти» [*Interboro Rapid Transportation System], «Индепендент» [*Independent], «Бруклин — Манхаттан» [*Brooklyn-Manhattan (BMT)]; мосты Веррацано-Нарроус [*Verrazano-Narrows], Бруклинский [*Brooklyn Bridge], Куинсборо [*Queensboro Bridge], Трайборо [*Triborough Bridge], Джорджа Вашингтона [*George Washington Bridge]; туннели: Баттери [*Battery Tunnel], Куинс-Мидтаун [*Queens Midtown Tunnel], Холланд [*Holland Tunnel], Линкольн [*Lincoln Tunnel]. Достопримечательности: о-в Эллис-Айленд [*Ellis Island], о-в Губернаторский [*Governors Island], Кастл- Клинтон [*Castle Clinton]. Фестивали, праздники: празднование китайского Нового Года [Chinese New Year Celebration and Dragon Parade]; праздничное шествие в День Св. Патрика [St. Patrick's Day Parade]; выставка картин под открытым небом в Гринвич-Виллидж [Greenwich Village Outdoor Art Show]; праздничное шествие в День Пуэрто-Рико [Puerto Rican Day Parade]; Шекспировский фестиваль [Shakespeare Festival]; Музыкальный фестиваль доктора Пеппера в Центральном парке [Dr Pepper Central Park Music Festival]; Ньюпортский джазовый фестиваль [Newport Jazz Festival]; итальянский фестиваль Св. Януария [Festival of San Gennaro]; праздничное шествие в День Колумба [Columbus Day Parade]; выставка лошадей [Horse Show]; шествие в День благодарения, организуемое фирмой «Мэйси» [Macy's Thanksgiving Day Parade]; церемония включения огней на рождественской ёлке [Christmas Tree Lighting]; Большое рождественское представление [Great Christmas Show]США. Лингвострановедческий англо-русский словарь > New York City
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7 NWS
1) Авиация: Nose Wheel Steering2) Американизм: National Weather Service3) Военный термин: Nimbus weather satellite, Non- Working Software, North warning system, naval weapons storage, nuclear weapons state, nuclear weapons storage4) Техника: naval weather service5) Дипломатический термин: nuclear weapon states6) Музыка: New World Symphony7) Сокращение: Naval Weapons Station, North Warning System (USA), North-Western States, Nuclear Weapons States, nuclear-weapon state8) Космонавтика: National Weather Service (NOAA, USA)9) Глоссарий компании Сахалин Энерджи: Northern well site, Northwest Sakhalin10) Макаров: normal water surface11) Расширение файла: Latest News - Information text file - ASCII, NetWare Web Server (Netware)12) NYSE. News Corporation, LTD. -
8 Bibliography
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The principles of psychology. New York: Appleton-CenturyCrofts.■ Steiner, G. (1975). After Babel: Aspects of language and translation. New York: Oxford University Press.■ Sternberg, R. J. (1977). Intelligence, information processing, and analogical reasoning. Hillsdale, NJ: Lawrence Erlbaum Associates.■ Sternberg, R. J. (1994). Intelligence. In R. J. Sternberg, Thinking and problem solving. San Diego: Academic Press.■ Sternberg, R. J., & J. E. Davidson (1985). Cognitive development in gifted and talented. In F. D. Horowitz & M. O'Brien (Eds.), The gifted and talented (pp. 103-135). Washington, DC: American Psychological Association.■ Storr, A. (1993). The dynamics of creation. New York: Ballantine Books. (Originally published in 1972.)■ Stumpf, S. E. (1994). Philosophy: History and problems (5th ed.). New York: McGraw-Hill.■ Sulloway, F. J. (1996). Born to rebel: Birth order, family dynamics, and creative lives. New York: Random House/Vintage Books.■ Thorndike, E. L. (1906). Principles of teaching. New York: A. G. Seiler.■ Thorndike, E. L. (1970). Animal intelligence: Experimental studies. Darien, CT: Hafner Publishing Co. (Originally published in 1911.)■ Titchener, E. B. (1910). A textbook of psychology. New York: Macmillan.■ Titchener, E. B. (1914). A primer of psychology. New York: Macmillan.■ Toulmin, S. (1957). The philosophy of science. London: Hutchinson.■ Tulving, E. (1972). Episodic and semantic memory. In E. Tulving & W. Donaldson (Eds.), Organisation of memory. London: Academic Press.■ Turing, A. (1946). In B. E. Carpenter & R. W. Doran (Eds.), ACE reports of 1946 and other papers. Cambridge, MA: MIT Press.■ Turkle, S. (1984). Computers and the second self: Computers and the human spirit. New York: Simon & Schuster.■ Tyler, S. A. (1978). The said and the unsaid: Mind, meaning, and culture. New York: Academic Press.■ van Heijenoort (Ed.) (1967). From Frege to Goedel. Cambridge: Harvard University Press.■ Varela, F. J. (1984). The creative circle: Sketches on the natural history of circularity. In P. Watzlawick (Ed.), The invented reality (pp. 309-324). New York: W. W. Norton.■ Voltaire (1961). On the Penseґs of M. Pascal. In Philosophical letters (pp. 119-146). E. Dilworth (Trans.). Indianapolis: Bobbs-Merrill.■ Wagman, M. (1991a). Artificial intelligence and human cognition: A theoretical inter comparison of two realms of intellect. Westport, CT: Praeger.■ Wagman, M. (1991b). Cognitive science and concepts of mind: Toward a general theory of human and artificial intelligence. Westport, CT: Praeger.■ Wagman, M. (1993). Cognitive psychology and artificial intelligence: Theory and re search in cognitive science. Westport, CT: Praeger.■ Wagman, M. (1995). The sciences of cognition: Theory and research in psychology and artificial intelligence. Westport, CT: Praeger.■ Wagman, M. (1996). Human intellect and cognitive science: Toward a general unified theory of intelligence. Westport, CT: Praeger.■ Wagman, M. (1997a). Cognitive science and the symbolic operations of human and artificial intelligence: Theory and research into the intellective processes. Westport, CT: Praeger.■ Wagman, M. (1997b). The general unified theory of intelligence: Central conceptions and specific application to domains of cognitive science. Westport, CT: Praeger.■ Wagman, M. (1998a). Cognitive science and the mind- body problem: From philosophy to psychology to artificial intelligence to imaging of the brain. Westport, CT: Praeger.■ Wagman, M. (1998b). Language and thought in humans and computers: Theory and research in psychology, artificial intelligence, and neural science. Westport, CT: Praeger.■ Wagman, M. (1998c). The ultimate objectives of artificial intelligence: Theoretical and research foundations, philosophical and psychological implications. Westport, CT: Praeger.■ Wagman, M. (1999). The human mind according to artificial intelligence: Theory, re search, and implications. Westport, CT: Praeger.■ Wagman, M. (2000). Scientific discovery processes in humans and computers: Theory and research in psychology and artificial intelligence. Westport, CT: Praeger.■ Wall, R. (1972). Introduction to mathematical linguistics. Englewood Cliffs, NJ: Prentice-Hall.■ Wallas, G. (1926). The Art of Thought. New York: Harcourt, Brace & Co.■ Wason, P. (1977). Self contradictions. In P. Johnson-Laird & P. Wason (Eds.), Thinking: Readings in cognitive science. Cambridge: Cambridge University Press.■ Wason, P. C., & P. N. Johnson-Laird. (1972). Psychology of reasoning: Structure and content. Cambridge, MA: Harvard University Press.■ Watson, J. (1930). Behaviorism. New York: W. W. Norton.■ Watzlawick, P. (1984). Epilogue. In P. Watzlawick (Ed.), The invented reality. New York: W. W. Norton, 1984.■ Weinberg, S. (1977). The first three minutes: A modern view of the origin of the uni verse. New York: Basic Books.■ Weisberg, R. W. (1986). Creativity: Genius and other myths. New York: W. H. Freeman.■ Weizenbaum, J. (1976). Computer power and human reason: From judgment to cal culation. San Francisco: W. H. Freeman.■ Wertheimer, M. (1945). Productive thinking. New York: Harper & Bros.■ Whitehead, A. N. (1925). Science and the modern world. New York: Macmillan.■ Whorf, B. L. (1956). In J. B. Carroll (Ed.), Language, thought and reality: Selected writings of Benjamin Lee Whorf. Cambridge, MA: MIT Press.■ Whyte, L. L. (1962). The unconscious before Freud. New York: Anchor Books.■ Wiener, N. (1954). The human use of human beings. Boston: Houghton Mifflin.■ Wiener, N. (1964). God & Golem, Inc.: A comment on certain points where cybernetics impinges on religion. Cambridge, MA: MIT Press.■ Winograd, T. (1972). Understanding natural language. New York: Academic Press.■ Winston, P. H. (1987). Artificial intelligence: A perspective. In E. L. Grimson & R. S. Patil (Eds.), AI in the 1980s and beyond (pp. 1-12). Cambridge, MA: MIT Press.■ Winston, P. H. (Ed.) (1975). The psychology of computer vision. New York: McGrawHill.■ Wittgenstein, L. (1953). Philosophical investigations. Oxford: Basil Blackwell.■ Wittgenstein, L. (1958). The blue and brown books. New York: Harper Colophon.■ Woods, W. A. (1975). What's in a link: Foundations for semantic networks. In D. G. Bobrow & A. Collins (Eds.), Representations and understanding: Studies in cognitive science (pp. 35-84). New York: Academic Press.■ Woodworth, R. S. (1938). Experimental psychology. New York: Holt; London: Methuen (1939).■ Wundt, W. (1904). Principles of physiological psychology (Vol. 1). E. B. Titchener (Trans.). New York: Macmillan.■ Wundt, W. (1907). Lectures on human and animal psychology. J. E. Creighton & E. B. Titchener (Trans.). New York: Macmillan.■ Young, J. Z. (1978). Programs of the brain. New York: Oxford University Press.■ Ziman, J. (1978). Reliable knowledge: An exploration of the grounds for belief in science. Cambridge: Cambridge University Press.Historical dictionary of quotations in cognitive science > Bibliography
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9 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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10 Fort Lauderdale
[ˊfɔ:rt ˊlɔ:dǝrdeɪl] Форт- Лодердейл ( штат Флорида), крупнейший молодёжный курорт. Прозвище: «американская Венеция» [*Venice of America]. Ассоциации: для большинства американцев Форт- Лодердейл ассоциируется с фильмом 1960 и его продолжением (1984) «Где теперь ребята» [‘Where the Boys Are'], в котором запечатлены сезонные миграции студентов колледжей всей страны в Форт-Лодердейл во время весенних каникул в поисках солнца и развлечений. Этот ритуал строго соблюдается и сейчас. Ежегодно примерно 250 тыс. студентов отправляются на пляжи Форт-Лодердейла в период с февраля по конец Пасхи. Город фактически стоит на воде между Атлантическим океаном и травянистым морем — болотами Эверглейдс. К 150 тысячам его постоянного населения ежегодно прибавляется свыше 3- х миллионов отдыхающих. Река: Нью- Ривер [*New River]. Районы, улицы, площади: фешенебельный район Айлс- Лас- Олас [Isles of Las Olas], бульвар Лас- Олас [Las Olas Boulevard]. Музеи, памятные места: реставрированный исторический Дискавери- Сентер [Discovery Center]. Культурные центры, театры: «Паркер-Плейхаус» [Parker Playhouse], «Санрайз-Мюзикл» [Sunrise Musical Theater], симфонический оркестр [Fort Lauderdale Symphony Orchestra]. Периодические издания: «Форт-Лодердейл сентинел» [*‘Fort Lauderdale Sentinel'], «Форт-Лодердейл ньюс» [*‘Fort Lauderdale News']. Парки, зоопарки: парк аттракционов «Шесть флагов над Атлантикой» [*Six Flags Atlantis], «Мир океана» [*Ocean World], «Мир маленьких лошадок» [*World of Miniature Horses]. Спорт: Международный зал славы водного спорта [International Swimming Hall of Fame]; ипподром и трек для собачьих бегов. Отели: «Пирс 66» [*Pier 66], «Янки-клиппер «Шеридан» [*‘Sheridan Yankee Clipper']. Достопримечательности: резервация индейцев- семинолов [*Seminole Indian Reservation]. Фестивали, праздники: «Венецианский фестиваль» [Venetian Festival]США. Лингвострановедческий англо-русский словарь > Fort Lauderdale
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11 record
1. transitive verb1) aufzeichnenrecord something in a book/painting — etwas in einem Buch/auf einem Gemälde festhalten
2) (register officially) dokumentieren; protokollieren [Verhandlung]2. intransitive verbaufzeichnen; (on tape) Tonbandaufnahmen/eine Tonbandaufnahme machen3. noun1)be on record — [Prozess, Verhandlung, Besprechung:] protokolliert sein
there is no such case on record — ein solcher Fall ist nicht dokumentiert
it is on record that... — es ist dokumentiert, dass...
just for the record — der Vollständigkeit halber; (iron.) nur der Ordnung halber
[strictly] off the record — [ganz] inoffiziell
get or keep or put or set the record straight — keine Missverständnisse aufkommen lassen
4) (disc for gramophone) [Schall]platte, die5) (facts of somebody's/something's past) Ruf, derhave a good record [of achievements] — gute Leistungen vorweisen können
have a [criminal/police] record — vorbestraft sein
6) (best performance) Rekord, der4. attributive adjective* * *1. ['reko:d, -kəd, ]( American[) -kərd] noun1) (a written report of facts, events etc: historical records; I wish to keep a record of everything that is said at this meeting.) die Aufzeichnung2) (a round flat piece of (usually black) plastic on which music etc is recorded: a record of Beethoven's Sixth Symphony.) die Platte3) ((in races, games, or almost any activity) the best performance so far; something which has never yet been beaten: He holds the record for the 1,000 metres; The record for the high jump was broken/beaten this afternoon; He claimed to have eaten fifty sausages in a minute and asked if this was a record; ( also adjective) a record score.) der Rekord, Rekord...4) (the collected facts from the past of a person, institution etc: This school has a very poor record of success in exams; He has a criminal record.) das Register2. [rə'ko:d] verb1) (to write a description of (an event, facts etc) so that they can be read in the future: The decisions will be recorded in the minutes of the meeting.) aufschreiben2) (to put (the sound of music, speech etc) on a record or tape so that it can be listened to in the future: I've recorded the whole concert; Don't make any noise when I'm recording.) aufnehmen3) ((of a dial, instrument etc) to show (a figure etc) as a reading: The thermometer recorded 30°C yesterday.) verzeichnen4) (to give or show, especially in writing: to record one's vote in an election.) abgeben•- academic.ru/60784/recorder">recorder- recording
- record-player
- in record time
- off the record
- on record* * *rec·ordI. n[ˈrekɔ:d, AM -ɚd]1. (information) Aufzeichnungen pl, Unterlagen pl; (document) Akte f; of attendance Liste f; (minutes) Protokoll nt, Niederschrift fthis summer has been the hottest on \record dieser Sommer war der heißeste, der jemals verzeichnet wurdethe coach went on \record as saying... der Trainer äußerte sich öffentlich dahingehend, dass...to be a matter of [public] \record [offiziell] belegt [o dokumentiert] seinto keep a private \record of sth sich dat etw notierenthis applicant has the best \record dieser Bewerber hat die besten Voraussetzungenhe's got a clean \record er hat sich nichts zuschulden kommen lassen; (no convictions) er ist nicht vorbestraftgiven Mr Smith's \record as a good credit risk, we can give him the loan in Anbetracht der Tatsache, dass Herr Smith sich in der Vergangenheit bereits als kreditwürdig erwiesen hat, können wir ihm das Darlehen gebenpolice \record Vorstrafen plsafety \record Sicherheitszeugnis ntcriminal \record Vorstrafenregister ntdental \record zahnärztliche Unterlagen plto have an excellent \record worker, employee ausgezeichnete Leistungen vorweisen könnento have a good/bad \record einen guten/schlechten Ruf habenmedical \record Krankenblatt nthit \record Hit m famto change/play/put on a \record eine Platte umdrehen/spielen/auflegenOlympic \record olympischer Rekordworld \record Weltrekord mto hold a \record einen Rekord haltena court of \record ein ordentliches Gericht7.▶ to put [or set] the \record straight für Klarheit sorgen, alle Missverständnisse aus dem Weg räumen▶ to say sth on/off the \record etw offiziell/inoffiziell sagenstrictly off the \record ganz im Vertrauen, streng vertraulichII. adj[ˈrekɔ:d, AM -ɚd]inv Rekord-\record crop/turnout/year Rekordernte f/-beteiligung f/-jahr ntto reach a \record high/low ein Rekordhoch/Rekordtief nt erreichento do sth in \record time etw in Rekordzeit erledigenIII. vt[rɪˈkɔ:d, AM -ˈkɔ:rd]hyphenate re·cord1. (store)▪ to \record sth facts, events etw aufzeichnen [o festhalten]the temperature fell today, with -14°C being \recorded in some places die Temperaturen fielen heute, stellenweise wurden -14°C gemessento \record a birth/a death/a marriage LAW eine Geburt/einen Todesfall/eine Heirat registrieren [o [ins Register] eintragen]to \record one's feelings/ideas/thoughts seine Gefühle/Ideen/Gedanken niederschreibento \record sth in the minutes of a meeting etw in einem Sitzungsprotokoll vermerken2. (register)to \record rotations/the speed/the temperature Umdrehungen/die Geschwindigkeit/die Temperatur anzeigen [o messen]the needle \recorded 50 mph die Nadel zeigte 80 km/h3. (for later reproduction)to \record a speech eine Rede aufzeichnenIV. vi[rɪˈkɔ:d, AM -ˈkɔ:rd]hyphenate re·cord (on tape, cassette) Aufnahmen machen, ÖSTERR aufnehmen; person eine Aufnahme machen; machine aufnehmenthe VCR is \recording der Videorecorder nimmt gerade auf* * *[rɪ'kɔːd]1. vt1) facts, story, events (diarist, person) aufzeichnen; (documents, diary etc) dokumentieren; (in register) eintragen; (= keep minutes of) protokollieren; one's thoughts, feelings etc festhalten, niederschreiben; protest, disapproval zum Ausdruck bringento record sth photographically — etw im Bild festhalten
to record a verdict of accidental death —
history records that... — es ist geschichtlich dokumentiert, dass...
the author records that... — der Verfasser berichtet, dass...
3) (on tape, cassette etc) aufnehmen, aufzeichnen; (person) aufnehmen4) CD, DVD brennen2. vi(Tonband)aufnahmen machenhe is recording at 5 o'clock — er hat um 5 Uhr eine Aufnahme
3. n['rekɔːd]1) (= account) Aufzeichnung f; (of attendance) Liste f; (of meeting) Protokoll nt; (= official document) Unterlage f, Akte f; (lit, fig of the past, of civilization) Dokument nt(public) records — im Staatsarchiv gelagerte Urkunden
a photographic record —
it's nice to have a photographic record of one's holidays — es ist nett, den Urlaub im Bild festgehalten zu haben
to keep a record of sth — über etw (acc) Buch führen; (official, registrar) etw registrieren; (historian, chronicler) etw aufzeichnen
to keep a personal record of sth — sich (dat) etw notieren
it is on record that... — es gibt Belege dafür, dass...; (in files) es ist aktenkundig, dass...
I'm prepared to go on record as saying that... — ich stehe zu der Behauptung, dass...
he's on record as having said... — es ist belegt, dass er gesagt hat,...
last night the PM went on record as saying... — gestern Abend hat sich der Premier dahin gehend geäußert, dass...
there is no record of his having said it — es ist nirgends belegt, dass er es gesagt hat
this is strictly off the record — dies ist nur inoffizell
(strictly) off the record he did come — ganz im Vertrauen: er ist doch gekommen
2) (= police record) Vorstrafen plhe's got a clean record, he hasn't got a record — er ist nicht vorbestraft
3) (= history) Vorgeschichte f; (= achievements) Leistungen plto have an excellent record —
the team with the best record — die Mannschaft mit den besten Leistungen
with a record like yours you should be able to handle this job — mit Ihren Voraussetzungen müssten Sie sich in dieser Stelle leicht zurechtfinden
to have a good school record — ein guter Schüler/eine guter Schülerin sein
to have a good safety record —
to have a dubious record as far as sth is concerned — in Bezug auf etw (acc) einen zweifelhaften Ruf haben
to spoil one's record — es sich (dat) verderben, sich (dat) ein Minus einhandeln
I've been looking at your record, Jones — ich habe mir Ihre Akte angesehen, Jones
4) (MUS) (Schall)platte f; (= recording) (of voice, music etc) Aufnahme f; (of programme, speech) Aufzeichnung f, Aufnahme flong-jump record — Weitsprungrekord, Rekord im Weitsprung
* * *record [rıˈkɔː(r)d]A v/t1. schriftlich niederlegen, aufzeichnen, -schreiben2. eintragen oder registrieren (lassen), erfassen, aufnehmen:4. fig aufzeichnen, festhalten, (der Nachwelt) überliefern5. TECH6. a)(auf Tonband, Schallplatte etc, auch fotografisch) aufnehmen oder festhalten, eine Aufnahme machen von (oder gen), eine Sendung mitschneiden:record sth on tape auch etwas auf Band sprechen;the broadcast was recorded die Übertragung war eine Aufzeichnungb) ein Tonband etc bespielenc) eine CD brennen8. seine Stimme abgeben9. obs bezeugenB v/i1. aufzeichnen (etc → A)2. a) Aufnahmen machenb) sich gut etc aufnehmen lassen:1. Aufzeichnung f, Niederschrift f:b) → C 4,c) das beste etc aller Zeiten, bisher;off the record inoffiziell;on the record offiziell;he hasn’t gone on record as showing a lot of initiative er hat sich bis jetzt nicht gerade durch viel Initiative hervorgetan;(just) to put the record straight (nur) um das einmal klarzustellen;just for the record (nur) um das einmal festzuhalten2. (schriftlicher) Bericht4. JURa) Protokoll n, Niederschrift fb) (Gerichts)Akte f, Aktenstück n:on record aktenkundig, in den Akten;on the record of the case nach Aktenlage;place on record aktenkundig machen, protokollieren;record office Archiv n5. a) Register n, Liste f, Verzeichnis n:b) Strafregister n, weitS. Vorstrafen(register) pl(n):have a (criminal) record vorbestraft sein7. a) Ruf m, Leumund m, Vergangenheit f:a bad record ein schlechter Ruf oder Leumundhave a brilliant record as an executive hervorragende Leistungen als leitender Angestellter vorweisen können, auf eine glänzende Karriere als leitender Angestellter zurückblicken können8. fig Urkunde f, Zeugnis n:be a record of sth etwas bezeugen9. a) (Schall)Platte f:make a record eine Platte aufnehmen;put another record on! fig umg leg ‘ne andere Platte auf!b) (Band- etc) Aufnahme f, Aufzeichnung f, Mitschnitt m10. SPORT, auch weitS. Rekord m, Best-, Höchstleistung f1. SPORT etc Rekord…:record holder Rekordhalter(in), -inhaber(in);in record time in Rekordzeit2. (Schall)Platten…:record changer Plattenwechsler m;a) Plattensammlung f, -archiv n,record player Plattenspieler m;record producer Plattenproduzent(in)rec. abk1. receipt2. recipe3. record* * *1. transitive verb1) aufzeichnenrecord something in a book/painting — etwas in einem Buch/auf einem Gemälde festhalten
2) (register officially) dokumentieren; protokollieren [Verhandlung]2. intransitive verbaufzeichnen; (on tape) Tonbandaufnahmen/eine Tonbandaufnahme machen3. noun1)be on record — [Prozess, Verhandlung, Besprechung:] protokolliert sein
it is on record that... — es ist dokumentiert, dass...
just for the record — der Vollständigkeit halber; (iron.) nur der Ordnung halber
[strictly] off the record — [ganz] inoffiziell
get or keep or put or set the record straight — keine Missverständnisse aufkommen lassen
4) (disc for gramophone) [Schall]platte, die5) (facts of somebody's/something's past) Ruf, derhave a good record [of achievements] — gute Leistungen vorweisen können
have a [criminal/police] record — vorbestraft sein
6) (best performance) Rekord, der4. attributive adjectivebreak or beat the record — den Rekord brechen
* * *(music) n.Platte -n f.Schallplatte f. adj.aufzeichnet adj. n.Aufzeichnung f.Datensatz m.Rekord -e m.Rekordmarke f.Satz ¨-e m. v.aufnehmen v.aufzeichnen v.erfassen v.protokollieren v.registrieren v. -
12 Massachusetts
[ˏmæsǝˊtʃu:sɪts] Массачусетс, ведущий штат Новой Англии на северо-востоке Атлантического побережья США <по назв. индейск. племени Massachuset (от masa большой + wachusett гора)>. Полное назв.: Содружество Массачусетс [Commonwealth of Massachusetts]. Сокращение: MA. Прозвища: «штат у залива» [*Bay State], «старая колония» [*Old Colony], «пуританский штат» [*Puritan State], «штат печёных бобов» [*Baked Bean State]. Житель штата: *Bay Stater. Столица: г. Бостон [*Boston III]. Девиз: «С мечом в руках мы жаждем мира, но только мира под сенью свободы» (лат. ‘Ense petit placidam sub libertate quietem’ — ‘By the sword we seek peace, but peace only under liberty’). Песня штата: «Все славят Массачусетс» [‘All hail to Massachusetts’]. Цветок: цветок боярышника [*mayflower]. Дерево: американский вяз [American elm]. Птица: гаичка, американская синица [*chickadee]. Напиток: клюквенный сок [*cranberry juice]. Животное: лошадь Моргана [Morgan horse]. Насекомое: божья коровка [*ladybug]. Площадь: 21,5 тыс. кв. км (18,284 sq. mi.) (45- е место). Население (1992): ок. 6 млн. (13- е место). Крупнейшие города: Бостон [*Boston III], Вустер [Worcester], Кеймбридж [*Cambridge], Фол-Ривер [Fall River], Нью-Бедфорд [*New Bedford], Куинси [Quincy]. Экономика. Ведущий штат Новой Англии с преобладанием производств, требующих мало сырья, но высококвалифицированной рабочей силы (машиностроение, электротехническая промышленность и др.). Особое развитие получила радиоэлектроника. В XIX в. в штате преобладали текстильная [Beverly, Lowell, *New Bedford, Lawrence] и обувная отрасли промышленности [Lynn, Brockton, Haverhill]. Сейчас (1990) ведущие отрасли экономики: услуги, торговля, машиностроение. Основная продукция (1990): электро- и электронное оборудование, промышленное оборудование, печатная продукция и полиграфия, металлоизделия. Сельское хозяйство пригородного типа, штат является основным поставщиком клюквы [*Cape Cod cranberries]. Основные культуры: клюква, тепличные овощи. Животноводство (1983): крупного рогатого скота — 120 тыс., свиней — 50 тыс., овец — 8 тыс., лошадей и пони — 125 тыс., птицы — 3,6 млн. Массачусетс занимает ведущее место в рыболовстве (особ. трески). Продукция рыболовства (1992): на 280,6 млн. долл. Лесное хозяйство: белая сосна, дуб, другие твёрдодревесные породы. Минералы: песок и гравий, камень, известняк. История. На территории штата пуританами [*Pilgrim Fathers], высадившимися с корабля «Мэйфлауэр» [*‘Mayflower, The’ I] в 1620, была основана первая постоянная английская колония Плимут [*Plymouth]. После первой тяжёлой зимы, собрав осенью обильный урожай, колонисты отметили первый в истории США День благодарения [*Thanksgiving Day]. Сопротивление индейцев было подавлено после войны с «королём Филиппом» [King Philip’s War] в 1675—76 гг. С середины XVIII в. Массачусетс становится одним из основных центров движения за независимость североамериканских колоний [*Boston Massacre, *Boston Tea Party], на его территории происходят первые вооружённые столкновения между повстанцами [*minutemen] и английскими войсками (см. Lexington and Concord, Battle of). После Войны за независимость Массачусетс был центром восстания во главе с Шейсом [*Shay’s rebellion]. В 1920-е гг. внимание мировой общественности было приковано к судебному процессу над профсоюзными активистами Сакко и Ванцетти [*Sacco—Vanzetti]. Достопримечательности: Кейп-Код [*Cape Cod]; Плимутская скала [*Plymouth Rock]; «Маршрут свободы» [*Freedom Trail]; концерты популярной музыки «Попс» [*Boston ‘Pops’ concerts]; Музей изящных искусств [*Boston Museum of Fine Arts] в Бостоне; Музей Арнольда Арборетума [Arnold Arboretum]; деревня колониального периода [Old Sturbridge Village]; исторический посёлок шейкеров; памятные места, связанные с минитменами [Minute Men Historical Park]; курорт Кейп-Код [*Cape Cod] с колонией художников в Провинстауне [*Provincetown]; Беркширский музыкальный фестиваль [Berkshire Music Festval]; танцевальный фестиваль Джейкоба [Jacob’s Pillow Dance Festival] и др. Знаменитые массачусетцы: Адамс, Джон [*Adams, John], 2-й президент США; Адамс, Джон Куинси [*Adams, John Quincy], 6-й президент США; Адамс, Самуэль [*Adams, Samuel], один из лидеров освободительной борьбы за независимость североамериканских колоний; Элджер, Хорейшо [*Alger, Horatio], писатель; Аттакс, Криспус [Attucks, Crispus], матрос-мулат, оказавшийся в числе первых жертв Американской революции; Энтони, Сьюзан [*Anthony, Susan], активистка движения за предоставление избирательных прав женщинам; Бартон, Клара [*Barton, Clara], медсестра, основавшая Американский Красный Крест; Белл, Александр Грэм [*Bell, Alexander Graham], изобретатель телефона; Дикинсон, Эмили [*Dickinson, Emily], поэтесса; Эмерсон, Ралф Уолдо [*Emerson, Ralph Waldo], философ и писатель; Хэнкок, Джон [*Hancock, John], политический деятель времён Американской революции; Хомер, Уинслоу [*Homer, Winslow], художник; Кеннеди, Джон Ф. [*Kennedy, John Fitzgerald], 35-й президент США; Морзе, Самуэль [*Morse, Samuel F. B.], изобретатель; По, Эдгар [*Poe, Edgar Allen], писатель и поэт; Ревир, Пол [*Revere, Paul], патриот; Сарджент, Джон [*Sargent, John Singer], художник; Торо, Генри [*Thoreau, Henry David], философ и писатель; Уистлер, Джеймс [*Whistler, James], художник. Ассоциации: первая колония в Америке, основанная «отцами-пилигримами» [*Pilgrim Fathers], высадившимися с борта корабля «Мэйфлауэр» [*‘Mayflower, The’ I]; ассоциируется с пуританизмом [*Baked Beans], судебными процессами над ведьмами [*Salem witch trials], началом Войны за независимость (см. Boston Tea Party, Boston Massacre, Old North Church, Paul Revere’s midnight ride, minutemen, Concord, Lexington), престижностью высших учебных заведений [*Harvard University, *Massachusetts Institute of Technology, *Radcliff college], снобизмом бостонского высшего общества и политическими традициями семьи Кеннеди [Kennedy family], высоким уровнем музыкального искусства [*Boston Symphony Orchestra, *Boston Pops] и самыми плохими водителями [‘the worst drivers in the world’]; Массачусетс славится треской, клюквой [*Cape Cod cranberries], тортами [Boston cream pies]; известны его спортивные команды: футбольная «Бостонские патриоты» [*‘Boston Patriots’], баскетбольная «Бостонские кельты» [*‘Boston Celtics’], бейсбольная «Красные носки» [*‘Red Sox’]США. Лингвострановедческий англо-русский словарь > Massachusetts
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13 Perret, Auguste
[br]b. 12 February 1874 Ixelles, near Brussels, Belgiumd. 26 February 1954 Le Havre (?), France[br]French architect who pioneered and established building design in reinforced concrete in a style suited to the modern movement.[br]Auguste Perret belonged to the family contracting firm of A. \& G.Perret, which early specialized in the use of reinforced concrete. His eight-storey building at 25 bis Rue Franklin in Paris, built in 1902–3, was the first example of frame construction in this material and established its viability for structural design. Both ground plan and façade are uncompromisingly modern, the simplicity of the latter being relieved by unobtrusive faience decoration. The two upper floors, which are set back, and the open terrace roof garden set a pattern for future schemes. All of Perret's buildings had reinforced-concrete structures and this was clearly delineated on the façade designs. The concept was uncommon in Europe at the time, when eclecticism still largely ruled, but was derived from the late nineteenth-century skyscraper façades built by Louis Sullivan in America. In 1905–6 came Perret's Garage Ponthieu in Paris; a striking example of exposed concrete, it had a central façade window glazed in modern design in rich colours. By the 1920s ferroconcrete was in more common use, but Perret still led the field in France with his imaginative, bold use of the material. His most original structure is the Church of Notre Dame at Le Raincy on the outskirts of Paris (1922–3). The imposing exterior with its tall tower in diminishing stages is finely designed, but the interior has magnificence. It is a wide, light church, the segmented vaulted roof supported on slender columns. The whole structure is in concrete apart from the glass window panels, which extend the full height of the walls all around the church. They provide a symphony of colour culminating in deep blue behind the altar. Because of the slenderness of the columns and the richness of the glass, this church possesses a spiritual atmosphere and unimpeded sight and sound of and from the altar for everyone. It became the prototype for churches all over Europe for decades, from Moser in prewar Switzerland to Spence's postwar Coventry Cathedral.In a long working life Perret designed buildings for a wide range of purposes, adhering to his preference for ferroconcrete and adapting its use according to each building's needs. In the 1940s he was responsible for the railway station at Amiens, the Atomic Centre at Saclay and, one of his last important works, the redevelopment after wartime damage of the town centre of Le Havre. For the latter, he laid out large open squares enclosed by prefabricated units, which display a certain monotony, despite the imposing town hall and Church of St Joseph in the Place de L'Hôtel de Ville.[br]Principal Honours and DistinctionsPresident des Réunions Internationales des Architectes. American Society of the French Legion of Honour Gold Medal 1950. Elected after the Second World War to the Institut de France. First President of the International Union of Architects on its creation in 1948. RIBA Royal Gold Medal 1948.Further ReadingP.Blater, 1939, "Work of the architect A.Perret", Architektura SSSR (Moscow) 7:57 (illustrated article).1848 "Auguste Perret: a pioneer in reinforced concrete", Civil Engineers' Review, pp.296–300.Peter Collins, 1959, Concrete: The Vision of a New Architecture: A Study of Auguste Perret and his Precursors, Faber \& Faber.Marcel Zahar, 1959, D'Une Doctrine d'Architecture: Auguste Perret, Paris: Vincent Fréal.DY
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